Introduction to Fashion Design (DST 60604)
WEEK 1
We had the first Introduction to Fashion Design module class today and met our Lecturer Mr. JR. We got briefed on the module and the assignment tasks.
After the briefing and introductions, we started on the first task of finding different parts of the shirt from the list that was given by Mr. JR. We were told to compile pictures of the different parts in a file, as part of our finale Assignment which is to design a Shirt for this semester.
I started by looking through Pinterest, which was a bit difficult as I was not finding pictures of shirts that I liked, but nonetheless it was fun as we were also instructed to take pictures and videos to include in our blog that we have to update every week of our process and progress through out our course.
WEEK 2
It's the 2nd week of classes but I haven't made any progress... I am still finding it difficult to find what I want especially the designs of shirt silhouettes and shirt collars. Today when the class started Mr. JR told us to gather around so he can show us the file he mentioned during the first class. His file was filled with illustrations and other materials regarding the designing process.
Today also I busied myself with finding shirts to compile and I did make some progress, I think I can start compiling and then see what I have missing from the list that our Lecturer gave us and also it would maybe help me get an idea of what I need to keep looking for.
I'm trying to compile most of what I found for next week's class so I can get a feed back from Mr. JR, he also mentioned for us to look for figures to illustrate which i will be doing this weekend.
WEEK 3
Week 3 and I'm still struggling to compile the shirt details, and Mr. JR has instructed us to find figures to for us to design and make a photo montage of our shirts, which I still haven't gotten to but I did do a little searching to get a idea of what is available from the internet.
WEEK 4
Week 4 has started and on this weeks class Mr. JR briefed us on Mind mapping, concept inspiration and Mood boards. These will be added to the finale project portfolio with our shirt designs.
and I'm almost done with the compiling of shirts. But I can't still find suitable technical drawings, so I have only decided to name the selected pictures.
I have also decided on a model and have simultaneously started working on the photo montage, but so far I have done only one on my phone by using the app "Photoroom" suggested to us by Mr. JR. It took me around 35 to 40 min just to edit 1 on my phone, so I might look for another option, maybe working on my laptop might be easy, but I'm a bit slow when using adobe illustrator, since I'm still new to it and not familiar with the tools in it.
Week 6 has began and I have completed the 20 initial designs. I was only able to make 2 designs out of the design that Mr. JR liked.
In today's class Mr. JR showed us how to sketch the the technical drawings again, and how to do the mind map. He also checked the mood boards of those who finished. After the lecture period we started working on the works we were asked to do. I showed my 20 Initials and he asked me to change a few of the designs to make it more similar to the one we chose first, so we can choose the finale 5.
Once I made the changes and showed him again, we were finally able to choose 5 from the initial designs. I'm so happy and excited but at the same time stuck again... because my subject matter inspiration is buildings more specifically arched windows and pillars, I'm not sure if I know where to start my research and from for the mind map, mood board and concept inspiration.
WEEK 7
This week marks a pivotal moment in my creative journey as I delve into the core of my subject matter inspiration: Lancet Windows. These beautiful, elongated, and pointed architectural features, often found in Gothic cathedrals, have sparked my imagination. Their intricate designs and historical significance have become the foundation for my artistic exploration.
Through mind-mapping, I’ve unraveled the deeper layers of Lancet Windows—analyzing their symbolism, architectural evolution, and emotional resonance. This process has guided me toward creating a cohesive narrative for my work. My research has revealed the profound interplay of light and shadow these windows offer, symbolizing hope, spirituality, and transcendence.
To bring my vision to life, I’ve started curating a mood board that captures the textures, colors, and feelings inspired by Lancet Windows. This visual reference serves as the backbone of my creative process, helping me stay aligned with my theme.
WEEK 9
This week has been all about refining my ideas and translating them into precise technical drawings. It’s been both a rewarding and challenging process as I focus on finalizing Look 1 and Look 2—two key pieces in my collection inspired by Lancet Windows.
I began by creating five technical drawings based on my initial concepts. These sketches have helped me explore structure, proportion, and detailing while staying true to the intricate and elongated lines of Lancet Windows.
One of the biggest challenges was achieving the balance between creativity and technical accuracy. Translating conceptual designs into technical drawings required me to focus on proportions, construction details, without compromising artistic expression.
Despite the obstacles, seeing the finished technical drawings and styled illustrations has been incredibly fulfilling and I’m excited to see how they will translate into real-life garments.
With the technical groundwork complete, I’m ready to move forward with the next phase of this project.
Week 10
As well as the journey toward constructing Look 1 of my collection has taken center stage. After finalizing the technical drawing with my Mr. JR I transitioned into the exciting yet intricate phase of pattern drafting. This step was crucial in transforming my design from a conceptual sketch into a wearable garment.
Under the guidance of Ms. Melina, I began drafting the patterns for Look 1. Starting with basic block patterns, I carefully modified them to align with the unique design elements inspired by Lancet Windows. Precision was key, especially for capturing the elongated lines and structural elegance of the garment. This process demanded constant referencing to my technical drawings to ensure accuracy.
Parallel to pattern drafting, I ventured into fabric sourcing to find the perfect materials for Look 1 and Look 2. My goal was to choose fabrics that embodied the interplay of light and shadow characteristic of Lancet Windows. I scouted for base fabrics, trimmings, and interfacing, focusing on textures that complemented my theme.
WEEK 11
This week has been a whirlwind of activity and challenges as I continue to work on the pattern drafting for Look 1 while feeling the mounting pressure to begin drafting Look 2. Balancing these tasks has been both exciting and overwhelming, as the deadline looms closer.
The drafting process for Look 1 is still ongoing, and it’s proving to be more intricate than I anticipated. The design’s inspiration, drawn from Lancet Windows, involves complex shapes and precise proportions, which demand extra attention to detail. Creating pattern pieces that maintain the structure and flow of the garment while ensuring functionality has been a challenging task.
One particular hurdle has been constructing the sleeve as it was a Bishop Sleeve. This required several rounds of revisions and consultations with my lecturers, which slowed down progress.
As I focus on finalizing Look 1, the pressure to start pattern drafting for Look 2 has been intense. Knowing that time is running out, I’ve been juggling the demands of both projects simultaneously. Planning ahead and prioritizing tasks have become essential to manage this workload.
Mr. JR assisted in selecting the fabric for the 2 Looks, which was a relief amidst the chaos. His expertise ensured that the material aligns with the design’s aesthetic and structural needs. However, fabric hunting has been a challenging experience overall.
Not knowing where to find specific fabrics was a significant obstacle. I spent a lot of time visiting different stores, often unsure if I was looking in the right places. Additionally, sourcing the right textures and color to match my concept was tricky, as many options either lacked the required quality or were too expensive. Mr. JR’s guidance provided clarity, helping me finalize the fabric choice.
Despite the challenges, this week has been a learning curve. I’ve gained a deeper understanding of pattern drafting and fabric sourcing, which will undoubtedly help as I move forward. Now, my focus is on completing Look 1 and starting Look 2 with renewed determination.
WEEK 12
This week has been a rollercoaster of emotions as I juggle the pattern drafting for Look 2, resolve issues with Look 1, and prepare for the presentation of my garments. The journey has been both exciting and nerve-wracking, but each step brings me closer to completing my collection.
With Ms. Melina’s guidance, I began drafting the patterns for Look 2. Her expertise was invaluable in helping me translate my design into a functional and cohesive set of patterns. The process required a lot of focus, since Look 2 also incorporates intricate elements inspired by Lancet Windows.
One of the key challenges was maintaining the balance between creativity and practicality. Ms. Melina encouraged me to simplify certain elements to enhance the garment's construction without losing its visual impact. This approach helped me progress steadily, and I’m feeling optimistic about how Look 2 is shaping up.
While working on Look 2, I also faced a major hurdle with Look 1: the sleeve pattern. The design includes dramatic, structured sleeves inspired by Gothic arches, but drafting a pattern that achieved the desired look while allowing for comfort and movement was incredibly challenging.
After several failed attempts, I consulted with Ms. Melina, who suggested breaking the sleeve into sections and testing them individually. This method proved effective, and while the sleeve isn’t perfect yet, it’s much closer to the vision I had in mind.
This week, we also drew time slots for the garment presentations. I got number 3, which means I’ll be one of the first to showcase my work. The thought of presenting my garments so early has made me incredibly nervous. However, I’m trying to channel that nervous energy into refining every detail of my designs to ensure they’re presentation-ready.
Looking back, this week has taught me the importance of perseverance and adaptability. Every challenge, whether it’s pattern drafting or presentation nerves, is an opportunity to grow. I’ve realized that seeking help and staying open to feedback are crucial in overcoming obstacles.
As the presentation day approaches, I’m determined to put my best foot forward and showcase the hard work and creativity that have gone into this collection.
Week 13
This week has been a flurry of activity as I focus on cutting and sewing the test fits for Look 1 and Look 2. The journey has been riddled with challenges, but each setback is teaching me resilience and adaptability.
I began the week by cutting and sewing the test fits for both looks. This step was crucial to assess the fit, proportions, and overall execution of my designs before moving on to the actual fabric. Working on the test fits revealed minor flaws in the patterns, particularly with the Collar for Look 1 and the bodice structure of Look 2. I had also cut the pattern wrong for Look 1 test fit,
I accidently added seam allowance for pattern pieces that I was supposed to cut on fold. After multiple adjustments, I managed to refine the patterns, ensuring the final garments will fit as intended.
With no available space in the sewing studio, I decided to take matters into my own hands. I planned to work at my aunt’s place, using her sewing machine to catch up on progress. While it’s not ideal, this solution allows me to work in a quieter environment with fewer distractions, ensuring I stay on track.
Another significant challenge was finding volunteer models for the presentation. I reached out to friends, classmates, and acquaintances, but many were unavailable or hesitant to commit. The difficulty lies in coordinating schedules and ensuring the models align with the aesthetic of my collection.
Despite these challenges, I’m continuing the search, determined to find the right people to bring my designs to life.
This week has been a lesson in resourcefulness and patience. It’s easy to feel overwhelmed when things don’t go as planned, but I’ve learned to focus on what I can control. From adapting my workspace to staying persistent in my model search, every step is bringing me closer to my goal.
Week 14
As Week 14 unfolded, the pressure was palpable. With the garment presentation just days away, I shifted focus to constructing the actual garments, even though I hadn’t fully completed the test fits. Time constraints demanded a leap of faith, and I dove headfirst into cutting and sewing the actual garments.
I began working on the actual garments after finishing about half of the test fits, the limited time forced me to trust my pattern adjustments and move forward.
Cutting the actual fabric was a significant milestone. I did this at home, carefully laying out the fabric and ensuring precision. Once the pieces were ready, I used the overlock machine at the university studio to finish the edges. The overlock process added a professional touch to the garments, ensuring durability and clean seams.
With limited access to the university studio’s equipment, I relied on my aunt’s sewing machine to construct the garments. Her house became my makeshift studio for a few days, and I worked tirelessly to piece everything together. The space, while not as equipped as the university, offered a quieter and more focused environment.
The oversized Bishop sleeves were particularly challenging. Their size required me to cut the 2 sleeves separately as well as the gathering on both sides added extra time and complexity to the process.
Sewing the waistband for Look 1 proved tricky due to the jacket’s zipper placement. Aligning the fabric and zipper without puckering required several attempts.
The intricate embroidery on the collar for Look 1 demanded precision and patience. It was a tedious process, but the result added a unique and polished touch to my garment.
For Look 2, I miscalculated the elastic waistband measurements. Fixing this mistake ate into precious time, adding to the mounting pressure.
Amid the chaos, I forgot to record most of my progress for the blog. While disappointing, it’s a reminder of how overwhelming the process can be during such times.
When there were just three days left before the presentation, I made the decision to buy my own sewing machine. Having the machine at home allowed me to work late into the night without any interruptions. This decision gave me the flexibility I desperately needed to complete both garments on time.
WEEK 15
This week marked the final stretch of my journey as I worked tirelessly to complete Look 1 and Look 2 for the presentation. While the thrill of nearing the finish line kept me going, the week was filled with last-minute sewing, unexpected hurdles, and valuable lessons.
The days leading up to the presentation were a blur of sewing, adjusting, and perfecting. Adding last-minute details to both garments felt like a race against the clock. I focused on refining the fit, cleaning up loose threads, and ensuring the overall presentation of the garments met my expectations. While I managed to complete most of the work, time wasn’t on my side, and I had to leave certain parts, like Look 1’s sleeves, unfinished.
On the day of the presentation, I discovered a significant mistake with Look 1’s collar: I had sewn it on the wrong side. Realizing this error just hours before the presentation was disheartening. To fix it, I had to quickly re-stitch the collar, which ate into the time I had reserved for final preparations. This last-minute rush also left me no time to fully finish the sleeves for Look 1.
On the day of the presentation, I discovered a significant mistake with Look 1’s collar: I had sewn it on the wrong side. Realizing this error just hours before the presentation was disheartening. To fix it, I had to quickly re-stitch the collar, which ate into the time I had reserved for final preparations. This last-minute rush also left me no time to fully finish the sleeves for Look 1.
Once again, amidst the chaos, I forgot to document my process for the blog. It’s a regret that’s followed me throughout this journey, but it’s a testament to how overwhelming the final stages can be.
Looking back, this week has been a rollercoaster of emotions. The discovery of a major error so close to the deadline tested my resilience and problem-solving skills. While I’m proud of how I managed to fix the collar and complete the garments as much as possible, the experience has taught me the importance of time management and preparation.
I also learned that mistakes are inevitable, especially under pressure. What matters most is how we handle those setbacks. While my presentation wasn’t perfect, the process of creating these garments has been an incredible learning experience.
This journey has shown me the value of perseverance and adaptability. Despite the challenges, I’m proud of what I’ve accomplished, and I’m excited to take these lessons forward into future projects. This may not have been a perfect ending, but it was an authentic one, filled with growth and determination.
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